Maestro: - By Peter Goldsworthy - Study Guide
Background information on the writer - Peter Goldsworthy
This is his first book. Prior to writing this he had been writing
peotry. These days Peter Goldsworthy has been said to think of
this book as an immature attempt at writing.
Main themes: 1. Exploration of Human Relationships
Between - Age and Youth
- Child and Parent
- Husband and Wife
- Adolescent Boys and Girls
- The members of the schoolyard sub-cultures
- People generally and their physical environment
Relationships are linked and overlap each other
2. - Love
- Learning
- Quest for perfection (Success/Failure)
- Music
- Culture
Background on book's settings:
- Darwin is remote and traditionally a non-cultural society
- Late 19th Century Vienna was the centre of European cultural
life (also early 20th Century). Most talent at that time
came from Vienna, and of those most were Jewish. With the
arrival of Hitler, and the Holocaust, many of Vienna's
talented people lost their jobs and were sent off to
concentration camps
- Keller didn't flee Vienna as he thought if he became important
enough (which he became very important and came to play for
Hitler), his Jewish wife and son would be safe. This was not
to be the case
Maestro
(Eduard Keller)
He is: * Talented
* Keeps himself remote/removed from others by not showing
- certain feelings or acting kindly
* Lacks the ability to compliment/praise and encourage others
* An obscure, mysterious character (enigmatic)
* An alcoholic
* Cultured (contrast to Darwin)
- Keller's white clothing may indicate his real, but hidden
goodness. This "whiteness" is like holiness. This is a total contrast
though to his self-perception
- Keller constantly collects clippings of newspaper articles. It seems
he liked to study the behaviour of others to help him understand him
self
- He believed that being a famous german citizen would save his jewish
wife and child from the Nazi's. But this was not to be the case.
How could this mistake occured?
- From this rigid, unhappy character Paul managed to find something
there, which he came to love. What nature of love did Paul feel for
Keller?
Paul Crabbe
He is: * Adaptable
* Witty
* And for an Australian Teenager, quick and clever with the
rhetoric
* Talented (But not to the degree his parent's think he is)
* At time he is arrogant
* Cultured
- Paul doesn't accept Bennie Reid, at the same time Reggie Lim
doesn't accept him till Paul shows how he can adapt to their
style of music and contribute to it. From Paul adapting, him and
the others gain something in common ground, but this is at paul's
convenience. This contrast adds a different dimension to the
story, and is evident till the end
- When the novel starts he is 15 years old, arrogant and self-centered
at times. He comes from a well educated family. This is a contrast
considering the place they are living in is Darwin. Darwin is considered
as 'low-culture' place, while Paul's family is 'high culture'
- The people in the Band Paul joins are not the type of people he would
naturally hang around
- He is very aware of others and their games, such as the ones his
parent's play with him, but he is not very self-perceptive though
It can also be seen in Paul's understanding of Keller, from getting
an incomplete picture of Keller, from what he does.
Girl's in Paul's life:
Megan Rosie
- A user - Healthy | - Plump - Passionate Lover
- Conniving - Fresh | - Good person - Intelligent
- Emotionally Shallow | - Idolizes Paul
- Expects to be desired | - Generous
- Good Looks - Popular |
Personal Themes concerning Paul & Keller:
- Maturity, Understanding and self-discovery
- Quest for perfection (also a theme of the novel)
- Romance and Love (also a theme of the novel)
- Escapism (Especially Keller)
- Teaching and Learning
- The effects of betrayal and guilt
- Ambition
- Nostalgia and memories of the past
- Coping with grief and loss
Social Issues raised:
- The role of music in Society
- Culture
- Attitudes to violence and cruelty
Types of Language used:
* Poetic descriptions
* Adjectives
Teaching:
Character: What they taught Paul:
Keller Music
Paul Band
Megan Sex
Rosie Love
Keller Life - Moulded, guiding, shows reality and it's limitations
to Paul
Learning:
Paul - Music Keller - Learns humility
- Love - Less harsh
- Life - reality - Opens up more
Summary of Plot:
1968:
* Development of Paul to Adult
* Shows more involvement in friends and Darwin, School and life
* Paul <-> Keller - Change in Relationship
| |
| Becomes less secretive - shows emotional side
Becomes more curious about Keller - pesters for information about
Keller
* Paul asks questions about Vienna from intrest in performing there
* Keller's response about Vienna - "... a city of show veneer" (pg.65)
- "The experimental Labratory for
the end of the World"
* Keller reads fascinating, horrorfying, grotesque, ugly in his
scrapbook - deals with human suffering. With these books he
hopes to learn from others mistakes. His inner reasons for
this are probably to gain some sort of relief, or find some
clues about his wife
* "If only at your age I had such text books" - reference to books
given to Paul showing him the horror of war, something keller wish
he saw at Paul's age
* Kellers behaviour at concert: - Keller openely betray's grief
- Loss of self-control
- Shows emotional side
* On going to one lesson, as Paul is walking up the stairs to Keller's
room for his lesson, he hears Keller playing. Paul is moved by the
beauty of the music. But this reminds Keller of his wife, as he
plays it, which causes him grief
* "Dont trust the beautiful" - Keller
* Relationship with Rosie
* 'Sexual relationship' with Megan
Adelaide:
* Paul joins the school band 'Ruff Stuff' to annoy Keller.
In this Paul has control over band members more popular than him.
In the band is: Jimmy Pappas (popular), Scott (megan's boyfriend)
* Enters his first piano competition - doesn't succeed (comes 3rd)
* "Paul is my best student, yes. One in a thousand, but a concert
Pianst one in a million." - Keller thinks of Paul as a promising
student, so Keller didn't want Paul to leave yet
* Stage of final meeting between Keller and Paul (in which Keller
has planned earlier, and in preperation re-aranges his house/room).
* Paul is at the beginning of adult life
* In this final meeting, Keller is ready to open up, and say all
his secrets. This is also the last time Rosie is to be in Darwin.
Paul's aroused sexual preference overwealms him and he leaves Keller
before Keller can open up - at the point Keller was FINALLY ready,
he left to go to Rosie.
Last Section - 1974 - Vienna, 1975, 1977:
(Coda - Completed / End)
* No light relief (serious)
* End of book is an anticlimax (in some people's opinion)
* Nothing new discovered
* Paul will never ever be the genius he wanted to be. Reflects
back on his life of a wasted ambition of perfection, a musical
perfection he never achieved, only a technical one.
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